Surrounded by porcelain bowls, a mixer, effects pedals and bottles of Perrier, we sat rapt with curiosity as Tomoko Sauvage took the stage of the Theatre Project with Matmos member M.C. Schmidt. Sauvage poured carbonated water into the bowl closest to her, and she manipulated and looped the movements of the water itself, accented by […]
Tag: press
review of “Ombrophilia” by Benoit Deuxant
Une grande part de la difficulté de la musique expérimentale, pour celui ou celle qui la pratique, consiste à trouver sa voie, une voie qui soit sinon unique, du moins personnelle. Non qu’il s’agisse simplement de se distinguer des autres artistes par un gimmick, un « truc » qui semble original, mais parce que c’est le principe […]
I hear the mermaids singing – by Lee Kottner
Science writer from NY, Lee Kottner wrote about my music and hydrophones with lengthy scientific explanation. no hyperlinks – original text with links on Cocktail Party Physics “…. Another example of the intersection of electronics and music, and my new obsession, is Tomoko Sauvage’s water drip performances. Sauvage first came to my attention through a […]

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